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Sunday, November 02, 2008   -   Backup regimes
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I've been reading quite a lot lately on other blogs, Scott Kelby's and Epic Edits are two that spring to mind, about the do's and dont's of backing up photographs. This particular topic has caught my attention once again as I've been having problems of my own in this area lately. The secondary drive on my primary pc which has around 200Gb's of RAW files and scanned negs, is rapidly running out of space. My offsite backup plan has also gone out of the window. So not only am I worryingly low on disk space, I'm also not getting duplicates of my files off site anymore (at least not very easily).

Previously I was using Retrospect 7 to make a duplicate of all these files over a VPN connection to a device that I have stored in the spare room at home. This made sure that I had an identical duplicate of all my RAW files, negs and Lightroom catalogs should anything untoward ever occur at my office. The problem that appears to have arisen in this area, is that the VPN has been getting dropped with increasing regularlity resulting in the backups failing. The system does automatically recover and start over again, but as a result I am often using over my 50Gb broadband monthly bandwidth allowance - and they just love sending me invoices for it!
So I now have two problems - I am running out of space at the office and I no longer have a regular off-site backup system.

I think that I can immediately address the problem of disk space by clearing out a lot of superfluous images. When I come back from a shoot and post-process, I delete all the real rubbish - out of focus, camera shake, flash didn't fire etc, but I generally keep the rest and I think that I could probably free up several Gigs by going through a rating process and deleting the images that I know I will never come back to. Looking to the future, I also need to add additional storage space. The options for this are to buy a new external drive, which will probably get me another 500Gb, but with no redundancy, or alternatively I could bite the bullet and buy a Drobo. Though I have yet to price up a firewire Drobo and the necessary drives to populate. This would mean that I could keep copies of everything, but would free up enough space.

Unfortutantely I'm no stranger to hard drive failures as I've had more than 1 catastrophic data loss in the past so I've been through the pain of the irretreavable loss of important data.The biggest headscratcher for me at the moment, is the off-site situation. The the existing off-site regime works well for backing up webservers and exchange mailboxes etc, but the bandwidth required for photographs is the killer. Since the issue of excessive bandwidth came to a head and I had to temporaily pause the off-site copying of the photographs, I've been reduced to transporting them from  site to site on a 32Gb memory stick - which is far from ideal - I'm a big fan of automation. Another problem that I have is that I can't always get into the office to work on images, so I often work on them on a laptop at home. So ideally, what I need is a two-way synchronous back up off-site system that will look for changes and copy files in the appropriate direction!

Since drafting this post yesterday, I've had a little time to investigate Drobos. (If you've not heard of this marvellous invention - check it out here). For one of the 2nd generation units populated with 4 x 1TB Western Digital Green drives which would give me 2.7TB worth of storage space (The rest is required as overhead for fault tolerance), would come to about £700. Which ain't all that cheap, and I'd need 2....Hmmmm...
Sunday, November 02, 2008 7:13:46 AM (GMT Standard Time, UTC+00:00)
Saturday, October 25, 2008   -   Epson Stylus R2400 update
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I mentioned some time ago that I’d got myself an Epson R2400 stylus printer which uses the 8 point Ultrachrome cartridge system and will reportedly produce outstanding quality monochrome prints up to A3 in size on high quality acid free fibre paper. I could get great results on the standard Epson Matt Fibre paper, but it was a tad flimsy for my liking and I heard great reports about the Harman Matt Fibre which is 320gsm.

Some time later, having wasted nearly an entire box of this expensive paper getting rubbish to mediocre results slavishly following the detailed instructions that came with the paper and on Epson’s website, I decided to throw Harman’s instructions on set up and configuration away, and apply a little intuitiveness, and lo’ and behold I’ve managed to make 2 outstanding black and white prints on my last 2 sheets of paper! I’ll definitely be getting some more of this paper for prints as I’m really quite impressed by the result, though it ain’t cheap!

Back to the printer, the downside is it’s ink usage. I’ve made maybe 50 prints and I’m nearly out of ink. Also when you change the different blacks in order to print on gloss or matt paper, the printer seems to go through a particularly lengthy routine which seems to waste undue quantities of ink. A full set of cartridges retails with Epson for about £100! I think I’ll be investigating one of those bottle feed systems….

 

Saturday, October 25, 2008 8:58:33 PM (GMT Standard Time, UTC+00:00)
Friday, June 27, 2008   -   The weekend is nearly upon us....
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 Flats in Stockport photographed by Fabrizio Filippini

Just a quick post today. Interviewing for webdev contract roles later today, so a bit frantic prepping this morning. Shot this yesterday as day 2 of the new regime on the way to collect my car from a fault diagnosis session at Smith Knight Fay (its gonna be expensive Sad ).

Also, Scott Kelby (who has some clout at Adobe) has compiled a list of the "Top 10 most wanted" Photoshop features to try and get the guys from Adobe to include in CS4. This list was compiled from readers of his blog. Check out the initial request for input here. And go here to enter the poll. Hey you never know, Adobe may actually listen to their customers!

Friday, June 27, 2008 8:56:18 AM (GMT Standard Time, UTC+00:00)
Tuesday, May 27, 2008   -   Manchester at dawn
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River Irwell in Manchester at dawn photographed by Fabrizio Filippini

I set off just before dawn on Monday morning to head up the M6 to try and make some more photographs for the Service Stations project, but as I was heading up the M56, the sky suddenly began to turn a deep red. So I figured I'd swing by Manchester on my way. I shot this off the bridge over the Irwell near the Opera House. I timed it pretty well, as no sooner had I half a dozen frames in the bag, the sun appeared on the horizon, and the red glow in the sky disappeared. The latest results from the Service Stations project, being film based, will have to wait to be posted until I get round the developing the film. I don't really have the facility to do any processing at home, film or digital, so they'll have to wait until later on today.

Incidentally, I read about a new image search engine which is in private beta at the moment. TinEye enables you to find your photos in use online, attempting to "do for images what Google does for text". The service offers various services which leverage Idee Inc's image recognition technology which finds images in use in print as well as online. Their clients include Getty Images, Jupiter Images, Masterfile and SuperStock from the stock photography market as well as Adobe Systems, Associated Press and Digg. TinEye is the latest application of their technology and one which has massive and broad potential application. Although TinEye’s database contains ‘only’ 500 million images at this time, I was able to find a few examples of my microstock photos in use. It’s able to match partial and altered images. Searches can be made by uploading the image you wish to match, or pasting the address of an online image. TinEye then matches the image with those in its database. I've managed to get signed up, and test the service which is really quite impressive. There's also a very handy Firefox plugin. Check it out for yourselves here: http://tineye.com

Tuesday, May 27, 2008 8:42:21 AM (GMT Standard Time, UTC+00:00)
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